Runes

Out of Chaos Cometh Order: The Holy FUThARK

To the brave may come the vision of the Valkyrie.
Dave Lee

The pathways lead us on since the screaming Lord awoke
Some heed unto the Need when the secret keys were spoke

The bridge wends ever on into worlds both dark and bright
Some hear the inner voice where the silence speaks aright

The journey has no end since such was never meant
Some feel beyond the veil where the ashen spear was lent

FIRE + ICE

The following description of the PROCESS that the Elder Futhark embodies, is purely SUBJECTIVE. I neither claim that my description of the Futhark is ‘true’ in any objective sense nor that it is of any value to anyone else than me. So why present it to others? Well, I would like to think that it inspires others how Runes can be applied on a individual level beyond the general presentation of each Rune as an ‘isolate’, seperate Stave.

A few years ago, when I was doing STAV with a few companions, I was taught to go through a series of ‘Tai Chi’-like movements of which every one was a Rune Stadha (but we were doing this with the Younger Futhark). I’d like to think of doing this with the Elder Futhark as a means of actualizing the whole cosmogonic process (that the Futhark embodies) in oneSelf. One could also sing through the whole Futhark or do the Stadhas & sing the Runes simultaneously. The idea behind this is to anchor the Runes in one’s psyche, so that they can become associated with certain states of consciousness.

Of course, it’s necessary to do some research and Runic Meditations before one can go through the whole Futhark. But after having stated the obvious I’d like to suggest the idea that the cosmogonic process (the ‘creation’ of the world) is not something that has happened once in a distant past, but that it is an ongoing process. It’s what Goethe called „dieses ‘Stirb-und-Werde’“ („this ‘Die-and-Become’“) that the Runic Process can symbolize and stimulate in the psyche of the seeker. Further I like the idea from Jewish Mysticism that „in the beginning was the Word“. As Galdor is a form of verbal Magic and each Rune Sound (I especially think of the „Kernel-Sounds“ as Thorsson calls them in Rune-Song, p. 33/34) is associated with a certain ‘cosmic’ / magical (cosmogonic ?) energy, it follows that each time we sing consciously the Runes with full concentration, we create the world(s) anew. Magic is then the methodology of re-arranging the world(s) (within or without) by projecting the sonic & visual energy of a particular (combination of) Rune(s) into the cosmos at will.

One word about the Übermensch: I was thinking about my use of the word ‘Übermensch’ in the Third Aett and if it could disturb some readers. But given the fact that the readers of Elhaz Ablaze are surely not ‘mainstream’ & must be rather anarchic spirits, it should follow that you are not ‘brainwashed’ by mainstream media. ‘Übermensch’ (superman) doesn’t imply the idea of ‘Untermensch’ (subhuman). The latter is a perverted creation of the Nazis, not Nietzsche himself. The opposite of ‘Übermensch’ is not the ‘Untermensch’, but ‘Mensch’ (human). It’s my conviction that the Elder Futhark describes an ‘evolutionary’ process on several levels: the cosmonogonic / cosmological and psychological / spiritual level. The ultimate aim of the Elder Futhark on the psychological / spiritual level is, perhaps, the Immortalization of the Soul / Consciousness of the vitki. Such a magician could be considered as a human being that has reached a divine level of existence and all traditions of ancient wisdom have some kind of a word for such beings, for example Xian (in Daoism), Bodhisattva (in Tibetan Buddhism), or Einherjar (in our Heathenism Tradition). I consider the word ‘Übermensch’ as an accurate term, because such a Rune Master is considered to have reached a level that is more than human (which doesn’t mean that he isn’t a human anymore). Yes, of course, this is speculation! It’s my opinion, personal belief, UPG (‘Unverified Personal Gnosis’) – whatever you want call it, dear. My ideas below are inspired by several sources mixed with my own intuition. The sources include diverse artists (bands) & authors like Fire + Ice, Death In June, Ironwood, Chris Travers, Leon D. Wild, Dave Lee, Jan Fries, Sweyn Plowright and Norbert (who taught me STAV for a while). However, the foremost inspiration has been the body of work created by Edred Thorsson – and, of course, my ‘Deep Mind’.

Each Aett has a certain ‘feeling’ attatched to it & represents a certain level of Initiation. I have given every Rune a ‘sentence’ that I somehow associated with each Rune in some of my Runic Meditations (some of them are taken from the lyrics, in part or as a whole, from the bands mentioned above). Then I try to put every Rune in the context of a certain stage of development. The First Aett describes the cosmogonic process (more or less), then I ‘jump’ from that macrocosmic to the microcosmic level (this happens somewhere inbetween Kenaz, Gebo & Wunjo). Please keep in mind that this description is not at all a final piece, but rather a fragment that reflects a part of my understanding of the Runes. Please regard it as an exercise in ‘poetry’ rather than a metaphysical interpretation of the Runes. At some point, it has been suggested, one should write one’s own Rune Poem. I haven’t yet reached that point. However, here we go!

THE FIRST AETT (The Beginning of the Universe / Spiritual Childhood):

FEHU („Eternal Fire. My Being broadens itself over the Vastness of Space!“):

Fehu is the primal movement, the ever extending fire emanating from Muspelsheimr. This eternal extention becomes

URUZ („UR-Form and Form-Giver. I begin to wax and thrive!“):

Uruz is the vital force that shapes all things. Audhumla is licking the Giant Ymir out of the frost that emerged from Niflheimr. As the forms are eternally shaped by Uruz, another force originates:

THURISAZ („Shifter and Resistance-Breaker. My Will is Coming Into Being!“):

Thurisaz is the necessary agent that breaks through all resistance. The three forces of Fehu-Uruz-Thurisaz are so primal, chaotic and ancient that they can only be perceived – in the context of cosmogonic processes – as ‘blind’, unconscious, gigantic movements.

ANSUZ („Ancestral God-Conscioussness. I Give myself to mySelf Eternally!“):

It’s only now that the first consciousness emerges in this evolutionary process that becomes conscious of itself (the First God, Odhinn) – this is the mystery of Ansuz. The triad Odhinn-Vili-Vé dismembers Ymir & creates the universe. This results in

RAIDHO („Holy Order. Rightly I Ride Along the Runic Roads!“):

Raidho – the Holy Order emerges from the sacred consciousness of Odhinn-Vili-Vé. From the Holy Order enflames the spark of knowledge and creativity.

KENAZ („Controlled Fire. I enflame the Holy Spark.!“):

Kenaz is the Promethean Fire given from the Gods to Men. Thus, for example, the discovery of making fire reflects man’s divine ability to use knowledge creatively, which leads to new skills that man continually develops and improves. This is the realm and power of Kenaz. It is also the fire of passion and sexuality, which leads to ecstasy when controlled and used wisely.

GEBO („The triple Gift. The more I Give, the more I Get!“)

Man receives the triple gift (Gebo) from the Gods: the Body (Lík) symbolized by the Tree is ensouled by Life-Breath (Önd) & Consciousness (Ódhr). „Wind and Thought have shaped the Trees.“ (Ian Read) As man fully develops these faculties he reaches

WUNJO („Strength Through Joy, Joy Through Strength. I balance the forces within mySelf!“):

Wunjo represents a perfectly balanced & harmonious state that the aspiring vitki experiences as Joy. Wunjo also embodies the sacred bond of friendship and the Joy experienced in a community. Man is a social animal, but the Runer must necessarily be also a lonely wolf.

Here, in the First Aett, man is spiritually still innocent. The end of this process, Wunjo, is the aim of the naive mystic and in a negative aspect this state can become the obsession for the wooly cotton- brained New-Age romancer. But to the Rune Magician Wunjo is only a necessary requisite.

THE SECOND AETT (The ‘Catastrophes’ & Ordeals of the Magician / Spiritual Maturation):

HAGALAZ („Crisis Leads to Enlightenment. Hail the White Grain!“):

Man’s spiritual childhood is interrupted by a shock that initiates a process of transpersonal growth & spiritual maturity. Hagalaz is the seed of destruction that has encoded in it the seed of enlightenment: the Hail-Stone.

NAUDHIZ („Need-Fire. Seeker, overcome thyself!“):

Naudhiz represents the hardship of life. The Need-Fire is created. This is the necessary friction to test the will of the magician. Finally, it brings progress in his magickal development.

ISA („Silence of Ice. Silence all the senses and listen to the Voice of Silence!“):

In the process of these distressful transformations the vitki must find a silent place within himSelf. By cultivating silence the magician finds a resourceful state within him that is the Region of Pure Will. Thus he develops a mature sense of self without an excessive ego („body armor“). However, nothing ever remains the same…

JERA („Cycles within Cycles. Through Faith in mySelf and my Rhythm I move easily through the Cycles of Life!“):

The vitki realizes that for everything there is a season. As he sows so shall he reap. By observing the cycles of nature he learns about the cosmic ‘laws’. He realizes that the processes in the macrocosmos mirror operations of the microcosmos (his soul). They become allegorical, alchemical keys that bring forth procedures to explore the soul. Thus he finds the World-Tree…

EIHWAZ („Yggdrasil, Pattern of the Worlds. The Fire of the Yew brings Immortality to my Soul!“):

The vitki wanders between the worlds and is taught the mysteries of Life and Death: Eihwaz – Great Initiator! Here he learns about the worlds and their ‘laws’.

PERTHRO („The Three Norns. I Weave my Wyrd with Mighty Deeds!“):

Perthro teaches about the Wyrd and Orlög. Understanding his Wyrd the magician knows there is only one thing worth pursuing: to strive for the Divine within. This is the mystery of

ELHAZ („I strive for my Higher Self. Elhaz Ablaze!“):

Elhaz expresses Man’s longing for the Higher Self. This leads man along the thunderbolt-path, along the serpentine spiral (the shape of Sowilo), to his divine consciousness. Elhaz ignites the Holy Fire of

SOWILO („Eternal Sun, Guide me along the Serpentine Path to the Knowledge of my True Self!“):

Sowilo: the sacred, silent, synthesizing Self is experienced fully for the first time! Here the goal & the way are the same. The Sacred Self is the aim of the magician, but it is also the necessary requisite to travel along the initiatory path without the danger to get lost & become mad. One of the very fascinating features of Runic Mysticism is the fact that this is not the end of the spiritual journey. Rather it’s another beginning.

THE THIRD AETT (The Great Initiations of the Rune Master / Spiritual ‘Übermensch’):

The third Aett shows the Path of the Rune-Master and his Great Initiations…

TIWAZ („Supporter of Heaven, Mighty Pillar of the Sky God!“):

Tyr is the Lord of Law and the Guardian of the Holy Order. The Irminsul is established from within to without. The transcendent centre within the psyche must be fully established – the esoteric location that some German Rune Magicians of the early 20th century have called ‘Thule’.

BERKANO („Pregnant Mother, Container of Strength!“):

Berkano teaches secret growth, the process of Becoming, Being, Decaying and ‘Rebirthing’ is used for the power of the magician. Thus he becomes aware of the Other within. Our ancestors have thought of that quality as a Being independet of the magician’s Self:

EHWAZ („The Golden Wedding. I strive for the Alchemical Marriage!“):

This is „the lonely path towards the eightlegged steed“ (Ian Read). The Fylgja / Valkyrie reveals herself to the vitki. He’s on the cutting-edge of overcoming Death. Marr er manns fylgja („The Horse is the Fetch of Man“).

MANNAZ („Consciousness is Holy. What is Whole, is Holy!“) :

The bipolar structure of man’s consciousness reflects the divine origin of the human psyche. The conscious Mind / Intellect (Hughr) and Remembrance / Intuition (Myne) unite and are enflamed with Inspiration by the Wode-Self. The Well of Urdhr streams eternally from ‘below’ (Jung’s ‘Collective Unconsciouss’ / Myne) to ‘above’ (the Hughr). Thus the ‘super-consciousness’ (Roberto Assagioli) is created at the centre between those three faculties (Hughr, Myne, Wode).

LAGUZ („The Waters of Eternity open up. Flow Along the Runic Rivers!“):

Laguz is the final test. The ancient waters of Life-Force, the Ur-Waters streaming from Niflheimr, pervade man’s Mind, where the accumulation of wisdom & his transpersonal growth become an endless process, if he’s on the path of the Rune Magician, because Laguz is a crucial point. I would like to define the path of the magician against the path of the mystic here (for the sake of playing around with ideas):

You could say that these forces – Laguz – are so strong that the sense of Self will be absorbed by the ancient waters (the path of the mystic). Mystics often speak of this experience as an ‘oceanic feeling’ (cosmic consciousness). One could say that the mystic cures his fear of death by confronting Nothingness (Dave Lee). He gives in & submits his sense of Self to the Life-Force (Laguz); the cosmic Ur-Waters of Laguz ‘consume’ him. He looses his individuality & dissolves into that Cosmic Ocean like a drop of rain. From the mystic’s point of view the following happens: He realizes that he has no individuality, it’s an illusion – he has always been the Ocean. Thus he looses all fear. In the context of this article, I want to argue that, if any mystic could follow that initiatic path so far, his journey ends here.

The magician instead has to ‘seperate’ his Ek from that turmoil, because magick is about control. LHP magicians are control freaks! But this Ek is not the ego at all, as Dave Lee so aptly demonstrates in his Master Work Bright from the Well. Rather it is Spare’s Kia, Verdhrfölnir or the ‘Ultimate Observer’ (de Ropp’s ‘Fourth Room’ or Lilly’s ‘Center of the Cyclone’ or Osho’s ‘The Watcher on the Hill’). To stay in the metaphor from above: The rain drop does not dissolve and mingle with the Cosmic Ocean, but remains its individuality.

INGWAZ („The Principle of Wihaz. Gestation and Transformation. Man, Become God!“):

By isolating himself from all these changes around him, the vitki starts a controlled process of absolute transformation. The storage of the Life-Force of Laguz leads to the gestation of the Seed of Immortality. This seed becomes the ‘Body of Light’ (or what the Vajrayana-Buddhists call the ‘Diamond Body‘). „Man finds his Ing“Rune Games, Osborn & Longland).

DAGAZ („The Morning of the Magician. Atheling, Awake!“):

Dagaz dawns as the darkly shining Noxia-Licht („Night-Light“) of Enlightenment. This Rune is central to the understanding of the essence of Odhinn. Dagaz leads directly to the synthesis of all polar extremes. It’s the Paradox that lies at the centre of the Mystery of Wodhanaz. By uniting the opposites (f.e. ‘Man’ & ‘Woman’) a third thing is born (f.e. a ‘Child’). This is an eternal process. The journey has no end since such was never meant.

OTHALA („Eternal Soul. I, the Winged Ing, repossess my own Space!“):

Othala represents the individuated psyche (in a Jungian sense). This is man’s reclaimed estate of kingly existence, his Immortal Soul. „There are Thrones underground and Monarchs upon them.“ (Coil)

Putting Dagaz as the last Rune of the Futhark could symbolize that the process of ‘uniting the opposites’, that finally leads to what has been called enlightenment, is eternal and never-ending. On the other hand as Fehu symbolizes movable possession (the extension of the Self), Othala represents the end of this process, symbolized by the ‘rewon’ kingly estate (the perfected Self).

I’m in the beginning of learning Galdor. It seems to be a very difficult art. The Runes – the ‘tools’ of Galdor – seem to be of such a mysterious nature that they never can be understood fully. When you move nearer to them, they seem to move further away from you. This lies at the centre of the mystery of Runa. It has been said that the fatalistic acceptance of the fact that Runa will never be fully grasped is the hallmark of a true Odian (a seeker who does not worship Odhinn, but rather emulates the way of Odhinn). Such a vitki explores the dark magick of the Germanic LHP. Let me conclude with the words of a magician, whose words never fail to illuminate my mind:

“In galdor-type magic, the self is fully-conscious at the moment of projection of the will. In other words, the magical self extends its will at the same time the observing self sees it all happen. The observing self is unfazed by the focus of the magical  self – context is not lost, even though the magical self is in a narrow, focused, fanatical state. This is the nature of this kind of magic – that the observing self is present throughout it, and that the consciousness of the wizard is doubled.
So, what we are really developing in our magical work is the ability to split our attention in this way, to bring the observer-perspective into even our most passionate and intense trances. The path of the magician emphasizes both the transcendent and the immanent, worldly aspects of life, in contrast to the way of the mystic, who seeks to transcend the whole show.”
(Dave Lee, Bright from the Well, p. 134).

Reyn til Runa.

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Galdra Logic

“It takes only the acceptance of a single belief to make someone a magician. It is the meta –belief that belief is a tool for achieving effects. This effect is often far easier to observe in others than in oneself. It is usually quite easy to see how other people, and indeed entire cultures, are both enabled and disabled by the beliefs they hold. Beliefs tend to lead to activities which tend to reconfirm belief in a circle they call virtuous rather than vicious, even if the results are not amusing. The first stage of seeing through the game can be a shocking enlightenment that leads to either a weary cynicism or Buddhism. The second stage of actually applying the insight to oneself can destroy the illusion of a soul and create a magician. The realization that belief is a tool rather than an end in itself has immense consequences if fully accepted. Within the limits set by physical possibility, and these limits are wider and more malleable than most people believe, one can make real any beliefs one chooses, including contradictory beliefs. The magician is not one striving for any particular identity goal, rather one who wants the meta-identity of being able to be anything.”

– Peter J. Carroll, Liber Kaos

If it is possible to effect changes in reality simply by changing one’s beliefs, then it logically follows that words must be powerful tools of magic.

Putting it another way…you can make things true simply by stating them as fact, provided that your statement is convincing.

It further follows, then, that the most basic foundational skill of magic is to speak and write convincingly and with authority. To develop this talent, one should study oratory, rhetoric, acting, art, poetry, hypnosis, psychology and propaganda. Practice telling stories, anecdotes and jokes as a means of making a point. In order to develop the glamour of authority, the magician requires a broad general knowledge. Study history, philosophy, mythology, religion and languages.

The ability to speak multiple languages carries with it the glamour of the world-traveller and renaissance-man. In the US, a facility with French will make one appear cultured. Spanish, streetwise. To speak and read in archaic and forgotten tongues is especially impressive as this taps simultaneously into the archetypes of priest, scholar and mystic.

It should be clear by now that it really doesn’t matter much which particular languages one chooses to study. Each has a slightly different, though equally positive effect. Much more important are the foundational skills and the conviction with which you speak. No-one’s going to think you streetwise as you stutter through your basic, overly formal high-school Spanish. Likewise, no-one’s going to mistake you for wise and powerful Magus if your command of the Elder Tongue extends no further than chanting the Futhark in your deepest D&D voice. On the other hand…maybe they will. There’s a sucker born every minute.

Hail Chaos! Viva Loki! Aum Wotan!

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Elhaz Ablaze – Happy One Year Anniversary!

One year ago we started Elhaz Ablaze. The idea to have a website where we could express and explore our idiosyncratic and potent brands of mystical Heathenism had been pressing on us for a long time.

Finally our empty talk reached critical mass and, with my discovery of the crappy but easy-to-use Weebly blog system, Elhaz Ablaze was born. It was (and is) an ugly site to look at, but we hoped that we could fill it with enough worthwhile content that readers would not mind.

Of course, we had absolutely no idea who would be interested in what we had to say. As far as we knew, the notions that we have come to refer to under the rubric of Chaos Heathenism would fall on dead (as opposed to deaf) ears.

Actually I have to admit that I hoped to provoke hate mail for the controversial opinions we and our guests have presented. But to date we have gone unscathed (much to my Loko chagrin).

Instead we have discovered that people actually seem to like our stuff – and moreover we seem to have some kind of readership, at least guessing from the Google Analytics thingy I set up in early January.

Since January 4, 2009 we’ve had some 1,238 unique visitors, 2,763 visits and 8,693 page views. Not bad for what must be one of the weirdest Heathen/magic/martial arts sites on the ‘Net! I have no idea what the patronage was like prior to that unfortunately.

I don’t know whether we are preaching to the converted (perverted?) or whether we are actually opening folk to new perspectives – I’d like to hope for a bit of both.

Certainly we felt terribly unrepresented by the bulk of Heathen writings out there and we hoped that we weren’t the only ones. Consequently, one of the joys of Elhaz Ablaze is that it has put us in touch with folk on similar wavelengths to ourselves. It’s a relief to know that we’re not alone.

I’m also pleased that we could invite Matt Anon to join our group. I’ve known Matt electronically for years and we are like cosmic siblings (despite having never met), so to have his ideas presented alongside mine is a deep privilege.

One of the fundamental principles of Elhaz Ablaze is our commitment to the notion that there is only OPINION in Heathenism: there is no orthodoxy and anyone who claims a monopoly on truth in such a sketchy cultural manifestation as ours is a fraud.

Hence, I love that we contradict ourselves and disagree with one another. Nietzsche says that the more permissive a culture is, the stronger it is; the more restrictive it is, the more brittle and weak it is. We want Heathenism to be strong, and therefore it must be pluralistic. I’m proud that Elhaz Ablaze has become a model for this ideal.

That extends also to our guest writers, who do a great job of both agreeing with and contradicting both us and each other! I might not entirely agree with, say, Sweyn’s views about modernity (see his articles in the guest section), but I’m proud to offer them a home, to defy the widespread anti-modernity Heathen attitude that I myself tend to adopt.

For myself, I settled into a regular writing discipline from day one of the site and maintaining my journal has really assisted my spiritual development. Keeping a public diary, writing short monographs on magical subjects, etc, has enabled me to objectify the sometimes all-too-ephemeral unfolding of my spiritual experience.

This in turn has helped me to integrate the various facets of my existence to a much better degree than I have ever achieved – Elhaz Ablaze for me has been a powerful alchemical vessel. Although, of course, there is a great deal more work to come, and many a loose end yet to be brought to roost in Wyrd’s weave.

When I am lost to myself I can turn to my writings on this site and they anchor and reintegrate me into Mimir’s gift of memory, so essential to the nourishment of my personal microcosmic Yggdrasil.

Indeed, writing my journal has been like mapping out a vast and unknowable continent. Every entry I write feels utterly essential to my being once it is done. Some time soon I will read over everything I’ve done – it will be fascinating to retrace my steps over the last year (and the earlier essays I posted in particular).

This journal has been a profound anchor and way-station for my evolution (and in the last year I can barely start to express how much my life has changed, mostly for the better, though certainly not without great struggle and suffering).

Given it is our first birthday I feel it is high time to explain the name Elhaz Ablaze.

Elhaz is a rune of polarities – consider the Old English Rune Poem (this translation by the inestimable Sweyn Plowright):

Elk-sedge is native most often to the fen,
It grows in water; it wounds grimly,
Burning with blood any warrior
Who, in any way, grabs at it.

The fen, the marsh, the swamp, is a liminal place between land and sea. We know these were holy places to the arch-Heathens – the bog offerings archaeologists have found alone confirm this. Yet for all of its liminal openness, the marsh is warded by the elk-sedge – sharp grass, the points of the elk’s antlers, the reach of a deadly blade.

Elhaz represents, therefore, all the beauty and magic of vulnerability and mystery; but also the strength and integrity of the wild beast that dwells within the wetlands. It represents our desire to deal only with those on the ‘level’. This isn’t a question of elitism or anything silly like that, more a question of taste and time management.

Why Elhaz Ablaze? The fire to me represents the overflowing flames of inspiration, magic, possession, enlightenment, purification, celebration, Life itself. The two words in combination to me suggest the meeting of frost and flame, fire and water: in Elhaz Ablaze all oppositions are subsumed into a greater and dynamic whole.

In a sense, then, Elhaz Ablaze is the necessary conceptual twin to Chaos Heathenism. Chaos Heathenism is a philosophy built on the notion of Elhaz Ablaze – the Chaos offers us liminality and magic, the Heathenism offers structure and integrity. In combination they create a synergistic conflagration.

Where to from here? Speaking for myself – I am about to go travelling for six weeks and this journal will likely be fallow in that time. However I will soon post up my voluminous (circa 13,000 word) essay in response to Alain de Benoist’s book On Being a Pagan.

This essay was written originally for Heathen Harvest, where it will also soon appear, but they have graciously let me present it here on Elhaz Ablaze too. I figure it should offer plenty of mind-meat in my absence for those that care to read it!

A word on the creative process of this essay. I took extensive notes on the book as I read it, until my brain was super-saturated. Because the book provoked me emotionally as well as intellectually it put me into an intense fervour over the fortnight or so that I read it.

Then, the day before my current university course started, I sat down with all my notes and wrote the whole thing out in one sitting. Since then I’ve been tweaking a little bit and getting a little bit of feedback from a few trusted readers (Volksfreund deserves particular praise in this regard).

In short, the writing of the essay was itself an act of applied seidh. I utilised extended altered states of consciousness, full activation of my deep mind, variegated forms of trance and seething, runic incantations and the riding of my Wode – my personal River of Fire – into the arms of inspired creation.

I could not have written it with cold blood, but thankfully I did not have to. So when you read it, please see it for what it is – an exercise in poetry as much as philosophical discussion.

Now – what next? I really cannot predict what I’ll do once I get back from my adventures (or what I hope amount to adventures), and I’ll be very busy with my studies as soon as I get back. But I’m sure that wherever the creative impulse leads me, you’ll read about it right here.

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Wyrd, Runa, and the Beauty of Ignorance

I had another really beautiful, intense and long-drawn possession experience with Woden today, this one totally unplanned and spontaneous. Sometimes I call… sometimes he just turns up.

I cannot say anything about it (because there are some things that I just can’t stick on the Internet for everyone to read). But I can talk about how I’ve reacted to it.

I feel as if the course of my life is reflected in the image of an archaeologist lovingly brushing dust from an ancient relic. When I was born I was buried in the earth. At some point I was dug up. Now the process of carefully cleaning me off begins. Next will be detailed documentation and theorising about my significance and meaning.

Right now it feels like everything that has happened in my life was meant to be according to a hidden logic and significance that I cannot comprehend. I am woven so integrally into wyrd. Of course, everything and everyone is.

I’ve been reading a bit about Leibniz’s philosophy lately, his idea that this world is exactly how it is meant to be. Voltaire might have mocked Leibniz, but I think I might be able to understand what he was saying. Not the best of all possible worlds in any obvious sense we can grasp… but definitely meant to be just how it is.

To ask it to be other than what it is means being world-denying and… well, unHeathen. Just a thought, no need to turn that into rigid doctrine (unless you feel like experimenting with dogmatism to see what it is like [some chaos magicians come up with the most brilliant little psycho-magical experiments]).

If each of us is on a unique trajectory through time then perhaps, well, I cannot complete the thought.

As a Heathen I am both a determinist and a believer in free will. The division between these two is false and built on ill-conceived ideologies; it reposes in an ultimately Christian abstraction, and even hard determinists are thoroughly determined by Christianity in their views.

So here we are, webbed in wyrd, hurtling through time simultaneously under our own power and completely involuntarily as well. Making decisions, responding to the shifting weave of the Norns as best we can. Once things have occurred it is retroactively true that they could never have been otherwise.

But before they occur – well there’s a whole lot of possibility for the oscillations of our agency to come to bear. Free choice is only determined once it is fixed through the hand of time.

We know Urd, the past (though the past constantly changes in meaning as it expands and is never truly fixed despite the illusion of its certain solidity).

We are in Verdandi, the present that stretches forth and most certainly is not fleeting or momentary. Heidegger was right on that one – he was paying attention. St Augustine, on the other hand, really had no idea.

Skuld, the future, is a debt that, sure, we’ll pay, but never just yet. We’re always going to pay or else we’ve already paid but you can never catch any of us handing over a wad of cash to the time bank. And even after the big cosmic foreclosure at Ragnarok things will keep going – you just watch!

So yeah, right now I ride the chariot of trust and calm. Everything is unfolding in just the right way. That isn’t the same as pretending that the world is perfect or that I and others don’t suffer all kinds of wounds or that struggle isn’t both necessary and worthwhile.

But right now I can affirm it all. Not, as Nietzsche demands, that I force myself to see the whole past as an act of my will (as though I could ever have even conceived of all this, let alone willed it!)

Rather, I affirm it all as the veil of Runa – of mystery – which I can never penetrate. Nor can any finite human being. I affirm the beauty of the horizon of Verdandi which escapes me no matter how fast I run towards it.

This is why I ultimately have so many grumpy things to say about the approach to magic typified by the ‘step by step’ logical, linear curriculum that groups like the Rune Gild espouse.

Reality is so much more complex and so much richer than that! Think of all the opportunities you miss out while you dally with you regular rigid practice of galdor, stadha, “rune thinking” and all the rest of it.

While you’re off “constructing” your Wode-Self as Mr Thorsson recommends you are missing out on the real Woden coming and showing you that a) it already exists and b) its way beyond anything you could have created anyway.

We aren’t creating from the force of our ego wills; we’re just brushing the mud off our golden forms so that we can shine with the light that falls upon us from the sun and the moon and the torch of human community (Kenaz, folks, Kenaz).

Yet ironically I worked through all that stuff for years when I was in the Gild and to carry my current train of thought to its conclusion, even that time spent doing “magical training” I now consider nearly worthless was crucial, just as crucial to my evolution as my beloved Jan Fries-style Seidh with all its serendipitous riches.

Sure, the latter is inspiring, beautiful, profound and actually helps you embrace magic and mystery. But for it to be the oasis that it is to me – well, I had to stumble through the desert of ego magic teachings and all that other rigid spoon-feeder magic rubbish first.

(The Gild say they’re against spoon feeding, yet the Gild curriculum is exactly that, an all-too-human crutch and distraction from the magic going on everywhere around the “aspiring Runester” … even if I must confess I profited from the rigid practice of getting my chanting in every day, meditating on the rune poems, etc, etc and owe the Gild a big debt of thanks).

So right now I know that I cannot and never will pierce the illusion, that the way things are unfolding for me is way weirder and more magical than anything I could ever have consciously constructed or conceived, and even my exposure to stodgy ego magic rubbish contributed to that (so maybe its good that such philosophies exist after all and I should be a little more circumspect when I grouch about them… aww, but grouching just feels so good).

And yet I have pierced the illusion at various times and will again. This is also true. Folks, two contradictory statements can be true at the same time; Aristotle was wrong (though, and here’s the kicker, for consistency’s sake I will also say that Aristotle was right).

Well anyway, things are unfolding and I’m in the eye of the storm and always have been and we all have because we’re all on our trajectories and maybe it will take one lifetime or maybe billions of years, I really don’t know if or how that reincarnation gig works, but right now I’m in the heart of marvelling at how ignorant I am and how beautiful the universe is and folks, this is the place to be. Or really, wherever you happen to be right now is the place. Or whatever. You get the idea (or not).

And tomorrow I’ll forget and I stumble back to my fears, frustrations, quirks, my amnesia, my all too human tendency to forget Mimir’s well in favour of disconnected distraction.

That’s ok too.

We forget the big picture so that we can have the pleasure of remembering it again and again, over and over. Endings are great because they guarantee new beginnings and beginnings are great because once something starts it has to stop.

And every time you come back to Mimir’s wisdom, well, I’d like to think you crawl a little closer to wherever.

What is the ultimate point and purpose of existence? I have no idea. I feel so strongly that my life is unfolding exactly in the way it is supposed to, but that doesn’t mean I have even a shred of a clue. “Sell your cleverness and buy bewilderment” said Rumi – I reckon he and Odin would have gotten on something fierce.

Socrates was the wisest of all the Greeks because he at least knew he was ignorant. Somebody remind me to toast that old gadfly next time I’m at sumbel, please?

What is the meaning of the question of Being? Asked Martin Heidegger. Being is Mystery/Runa – this is my answer. We are skating on the ever changing skin of the Well of Memory that feeds the world tree.

If Heathenism really says that there is no sin, no fallen-from-grace-ness, no world-as-bastardised-image-of-God’s-wisdom – well then we might as well start loving the vast cosmic question mark that escapes and entices our every rising breath.

Because that’s all there is, the question is the answer, or might be, or probably isn’t, or…. Well, you get the idea (or you might, or might not or… [yes this can regress infinitely, another secret there! {I just added this layer of parentheses to be a smart ass – or did I?}]).

Hail Chaos! Viva Loki! Aum Wotan!

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Fehu Magik

So it has been a while, a lot has changed within.

I am not one for big words or essays but I have been told that I should share some of my experiences with Elhaz readers.

Here is one that has worked really well for me.

A little history to see the need for this magik:

I own my own business and for a while there we were doing it tough so I decided to do a little Fehu magic.

Nothing from a book just straight from the heart. No pre planing just a dark night and a sword.

On my property I have made a 7 foot Elhaz surrounded by 5-10 kg stones carved in runes that sit next to a dam.

After a silent meditation I began chanting Fehu.

Picking up the Fehu stone I slammed it against my head 5 or 6 times until I felt the blood flow.

With each blow my eyes were blinded by a piercing light as though lightning was striking through my body.

Feeling such rage I grabbed my sword along the blade and carved a Fehu rune over my face pushing the point so it felt as I was cutting my skull.

Once I had done this I started dragging the point of my blade down my forearms until slipped into a quiet trance. Where I stayed for how long I do not know.

The results of this outburst of emotion and rage were amazing. At the time work was very quite and things where looking pretty grim. I felt as though the stability for my family was under threat. The thought of failing my children was ever present.

Three days after the Fehu magik work came flooding in to the point I was working 16 hr days to keep up.

I have been able to move my business out of the city and closer to home, saving $70k a year in rent.

I was expecting to lose some client due to the distance I moved but instead we are gaining new clients on a daily basis.

I feel that it is the connection and the power you apply to your magik that makes it work not what someone else tells you is right.

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Seidh, Odin, Frey

I’ve not been well. I had my wisdom teeth out last week. In the last few months I’ve struggled with two flu viruses and some mind-blowing hay fever (I’ve never been physically incapacitated by allergy in anything like this kind of way before).

Not only that, my creative flow has been blocked these last few weeks. Among other things this has been impairing my ability to get my university coursework done. Not good when you have short deadlines and vast acres of work! Words have just been escaping me.

My only solace has been my improving physical fitness, though mouth surgery induced laziness for this past week has cut back into that again. Perhaps today I will clamber back on board the bodyweight bandwagon.

Recovering from wisdom teeth removal is not fun. Worst is not the pain, the inability to eat, the bleeding, or even the ridiculous swollen cheeks. It’s the abject boredom and isolation.

Until yesterday I had not been outside since I got home from the surgery last Tuesday. Almost a week indoors will send even a dedicated introvert such as myself into paroxysms. I even managed to bore myself with computer games, which once were my arch-nemesis in the realm of addiction!

Knowing that I’ve been sailing through dark corridors of ill health and misery in the last, say, three weeks especially, I resolved a few days ago to go on a journey, to fare forth, and see what I could see.

As a general comment on this aspect of seidh – for me faring forth is very different to what I more generally consider to be my style of seidh (and I will describe a lovely example of the latter later in this post). It’s more introspective, calm and hazy.

Sometimes when I’m doing it I question if I’m just having myself on if my focus is week or I am unable to detach my ego from the process. With my more natural style of seidh, well, once I get there there’s no doubting.

There are lots of sophisticated thinkers about faring forth in modern Heathenry (read the backlog of posts on the Seidh Yahoo E-List to see what I mean). I however lack such subtlety. I just do it.

I don’t have a working knowledge of the distinctions between the various old terms for this sort of magic, I haven’t built my practice out of precise reconstruction (though obviously I am informed about the limited evidence available and less obviously I don’t tend to willy-nilly mix in ideas from other traditions with my faring forth work).

Anyway, so I am lying in bed, in various degrees of pain (who knew that removing teeth at the back of your mouth could make every tooth in your jaw scream with agony?) And I guess that maked it easier to abandon the ship of my body and dive into the deep blue sea of projected consciousness.

I find myself in a valley shrouded by thick grey mist. The earth is barren; it’s like I’m in an abandoned World War I battlefield before dawn. Woden has come to guide me; I see his cloaked form flitting in and out of vision, luring me along dry riverbeds. And I follow his almost spectral form.

Until I come to a cave. When the river still lived it must have here flowed underground, but now there is only dust and frost to line its floor. I shrug and enter and a strange silver luminescence in the air creates just enough light that I can make my way through the crags and shadows.

I’ve no idea where Odin is at this point – perhaps he has seen out his role as my psychopomp for this journey. Seated on a rocky outcrop, however, is a woman. She is dressed in rotting finery and a tarnished crown rests on her brow. And she is a contradiction to behold.

One half of her face, her hair, her arm – I assume her whole body – is young, pale, the perfect frigid ice-maiden beautiful bitch archetype. The other half is rotten, shrunken, shrivelled and foul. This is Helja and I know now that I am in Niflhel.

Here comes the strange thing – I cannot recall anything detailed of my conversation with Helja. I know that she is cajoling, manipulative, abusive and arch. I recall her trying to bargain with me to cure me of my ailments and my loss of spirit.

But I also recall the deals she offers are just ridiculous. I would have to offer her more than I would gain in return. No point in that!

Why did Odin lead me here? I’m not sure, but perhaps it is to give me some perspective. Maybe it’s to show me how much I take for granted. Helja and I reach an impasse and I find myself leaving the way I came, trudging through the cold and lifeless mists. I clamber up an embankment and find myself back in my room with my pain-filled mouth.

And Frey is there with me. And he is frowning. And he says to me “you know, you’re not supposed to be pursuing me as you have. It’s not good for you. You are not made to accept my gifts. There is only one who is right for you, and he is a god of wolves, not boars”. (c.f. for example this post).

(Well he didn’t say it exactly like that, but you get the drift. Sometimes I admit I polish the words that divine beings say to me when I write these journal entries. Hey, they were off the cuff, we can’t all spontaneously speak like a character on Shakespeare’s stage! Arguably Herodotus’ History is more truthfull for its fabrications).

And then he was gone. And he was right. I’ve been trying to stretch myself between the infinitely uncertain, variable, chaotic and disastrous hedge-sitting of my patron, Woden; and the vast, bountiful, fertile, stable and overwhelming hedge-sitting of Frey. I’ve been ogling that green, green grass just over the religious fence. And it’s been costing me.

I tried to call Woden then, but it just wouldn’t happen. Just no luck for me there. I realise I’ve been messing up our relationship by trying to force a relationship with another god. I realise that I just don’t really Know or understand Frey – especially when I consider the intimacy of my relationship with Woden.

It kind of reminds me of how I felt around the time I quit the Rune Gild – it’s getting close to 10 years ago! I just felt that for all the discipline of their practices, all their philosophy, all the rest of it – well, they just weren’t helping me forge any kind of personal or emotional relationship to runes or to Odin.

How can you emulate someone who is a stranger to you? My solution then was that I had to chuck out all thr intellectualism in order to find the seething wode. Anyway, enough of that digression, the point is clear to me – I don’t have the faintest idea how to forge such a connection to Frey, whereas instinct easily showed me the way to Woden.

Ok, so these faring forth experiences made me decide to perform a ritual to Odin. I needed to mend our fences, repair the channels that run between us. So last night I did it.

I arranged to have an audience of one, because the vulnerability of an audience helps with ritual as a performance. You are forced to either go there or not at all. I prepared offerings of beer, organic butter, organic sea salt, water, fire (from the candle Volksfreund and I used on our necromantic adventure), garlic, ginger and tissues soaked with my blood.

I set the atmosphere by putting on some ambient Odinnic music of my own (which, gods willing, should eventually see release [yes gods, that’s a hint!]) I opened the ritual by singing the singular rune Ansuz, getting progressively louder and more aggressive until I was purely screeching and screaming my guts out.

I also banged a hammer and my wooden “Daoist priest” sword (see again the necromancy posts on my journal) and used these rhythms to build the intensity of the moment.

Then I called Woden in all his dark aspects, as god of bloodshed, war, hate, fear, betrayal, violence, destruction and all that fun stuff. Then called him as god of poetry, song, sex, wisdom, hospitality, healing and all of that fun stuff.

I called him by many of his old names.. and a few new ones spilled from my lips too, like Elric of Melnibone, and The Raven King, and Saint Nick, and even Satan (who Goethe describes as blue cloaked, one eyed and raven-friendly in Faust, after all!) Yes folks, warning: Chaos Heathen At Work.

While all this was happening I was involuntarily writhing, staggering, thrashing, shuddering, shaking – “real” seidh, at least as I experience it as a Jan Fries-loving seidhmadr. My body was plunging into wild paroxysms of its own, my consciousness going right on with it.

Until I calmed a little. Then I just called “Woden” quite softly over and over. A most tremendous sensation, like stable lightning bolts, spread through my scalp and from my hands up my arms. It spilled down over my brow like a helm – I wonder if this was one meaning of “Helm of Awe”.

It’s very rare for me to get such a dramatic energetic and physiological response from my possession work. Such experiences are so beyond my ego and the domain of its power and they’re so reassuring, healing and humbling. I cried a little with joy that my patron would impose himself on me so strongly that I would feel it right there in my nervous system.

And then I was his.

I won’t say to much about what happened because it’s all very vague, but he accepted the gifts and gave my audience a bit of a freak out. My cat didn’t recognise me when He was in charge and avoided us. I changed in appearance. Things were made good between us. The rift, healed.

He cast some runes for me too – funnily the first rune to come out was Ansuz, His rune! And they portended lovely things – healing, positive change, hard work rewarded, blockages destroyed.

And – well, that is all I really want to say, except that I am feeling vastly better today, though still taking it easily and carefully. None of this is at all intended as a disrespect to Frey, either – it’s just that you’ve got to go with the course of the river you are.

I was made for Woden it seems, and while his inconsistencies and chaos sometimes cause me fear or frustration – well I have to accept it. The other option is slow withering.

He said something, I vaguely recall, about an irony of my personality. Namely that I give myself an awful hard time for not being perfect (and therefore a better agent for him.) Yet my imperfections arise because Woden is himself imperfect, and thus make me closer to him in nature. I love irony.

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Chaos, Wyrd, and the Left Hand Path

Magick is black

Reason is white

Thus magick’s unseen

It’s nature’s to hide


Introduction:

“No-Thing is true. Everything is trance-mitted.” The Fool of the Sacred Chao

My name is Matt Anon. I’m a Chaos Mystic and Left-Hand Path initiate (for my take on the LHP, see below), who studies Chaos Magick, Galdor and esoteric Runology within the broader philosophy of Chaos Heathenism. The aim of my magick is encoded in my name, beside the desire to fall in love with divine mystery :ᚱᚢᚾᚨ: and to reawaken the ancient wisdom in my Soul. I’m attracted by the conception of a Perennial Philosophy that appeared under different guises independent of epoch or culture and seek to understand its eternal mysteries. One of the maps of special interest to me that represents an expression of that perennial wisdom is the Runic tradition as it manifested in the cosmological and magico-mystical structures of Northern European spirituality. I’ve been interested in ecstatic experiences and inspired and altered states of consciousness since my youth. I hold many wyrd beliefs that are subject to change on my journeys along the pathways that lead down, around and up the Tree. That’s why I believe that beliefs and all dualities are fetters to be loosened (the mystic’s aim) or played with (the magician’s game), rather than unchangable dogmas set in stone. Two major influences are to be named that initially got me into the Northern Mysteries: Fire + Ice and True Helm.

I explore the Runic Mysteries by emulating the divine archetype of the Rune-Master Óðinn, who is seen as a mythical role model for spiritual development. But I would look at all philosophical, metaphysical and magical worldviews not as a reality, but recognize them “as models or maps, and no one model elevated to the truth.” (RAW). That’s why I combine different approaches and techniques of sorcery and mysticism (= magick) to my own Self-Empowerment and explore the mysteries of consciousness and nature.

Though I began experimenting and toying around with magick as a teenager (often intoxicated by shroooooms), my more serious and structured involvement with magick began in my early 20’s (see for my magickal background here). Having gone through all kinds of phases and systems, beliefs and dogmas (though for many years my main focus has been Crowley’s system of Thelemic Magick), ‘enlightenments’ and delusions, I stopped looking for an occult system that ‘explains’ everything and deludes the seeker that the inexplicable could be presented in a ‘step-by-step’-system to enlightenment. After all I came to ponder about the chaosmagickal saying: ‘Nothing is True, Everything is Permittes’. Nevertheless I’m against a postmodern (POMO) relativism with its “Anything-goes”- triviality. This is, perhaps, my only real criticism of the Chaos Magick Current (though also here we begin to hear diverse voices). Once I heard clearly “das Raunen der Runen” (the whispering of the Runes), I turned my face towards the North. In this regard I take the reconstruction of the Runic Tradition very seriously & do not think that it’s just another “paradigm” for the “paradigm pirate” to “exploit”. Such a person will never grasp the profundity of the Runes – especially, when one considers that Runa can never be fully grasped (I am deeply indebted for the concept of Runa to Edred Thorsson). What I liked about the term “Chaos Heathen” that Henry’s genius gave birth to, is that in Chaos Heathenism there are no members, there are no gurus, there are no systems and there are no dogmas. There is only you, you & Runa – the eternal & sacred Dance of Consciousness & Mystery. For the Runic Quest to begin, some essential qualities are required like a thirst for knowledge, a longing for something that is hard to define (probably what deRopp called “the Will to Power”, “the Will to Meaning” & “the Will to Transcendence”), a strong self (not what common man calls ego), courage and, certainly, humour – just to name a few. But the nature of collaboration or participation in chaos Heathenism, as far as I understand it, is defined by every individual herself. In this way, I’d like to begin this journal by exploring some concepts & ideas I came across since I got into magick. Though in magick nothing ever remains the same (hey, it’s the same with life, isn’t it?) I hope that in this way I can demonstrate how I approach “the lonely path where waits the eight-legged steed” (Fire + Ice / Ian Read).

Chaos:

Chaos defines, in many ways, my approach to sorcery. I am deeply indebted for the elaboration of the meta-system of chaos magic(k) made by Pete Carrol and the magicians who developed his ideas to present us an approach to sorcery that is authentic, individualistic, result-orientated and compatible with a world that has gone mad. However, it must be said that the Chaos approach was not invented by the chaos magicians themselves, but was there, hidden and applied and made visible for the first time in the Zos Kia Cultus of the artist and sorcerer Austin Osman Spare. But it was the Illuminates of Thanateros who took on the sparks of this flame and made a huge fire of it that burnt down most – if not all – assumptions of western magic(k), and thus created a tour de force, which changed the underworld of western occultism forever.

Chaos for me means that magick has no form, that the nature of the multiverse is unpredictable, that its behaviour is chaotic, that rules and “laws” are invented by the human hardware, the brain, for making sense out of information that is by its very nature inconsistent. The Chaos approach gives us the opportunity to look at different systems of magic(k) as arbitrary, children of their time and culture, and possible models rather than fixed ones that often can be limiting to one’s transpersonal vision of sorcery. Therefore it encourages the individual sorcerer to explore different perspectives and applications of doing sorcery and developing her own system of magick rather than following the worn-out paths of others. Thus Chaos becomes the major tool to look at various schools of magic(k) and to choose those elements that are appealing to the sorcerer and that work for her. However, to my mind this is – as paradoxical as it may sound – also the great weakness of the Chaos approach. In a way, the traditional assumption that everything must be kept in balance is, once again, also true in this case. By concluding that every traditional system of magick uses an arbitrary classification, we blank out the fact that the traditional ways of thinking are ancient & have been in use over hundreds of generations. They reflect what Carl Gustav Jung has called the Collective Unconscious. Individualistic approaches to sorcery are useful, but an Alphabet of Desire will never achieve what a system like the Elder Futhark can bring forth & reveal (I suppose).

Order:


Chaos is not my aim, it is my primal condition. Basically, the human being is a multiplicity of selves, a morass of chaos, “a ‘schizophrenic’ identifying in one moment with a dominant thought, emotion or sensation that wears the mantle of self, just to be pushed aside by some other ‘I’ in an equally mechanical and accidental manner” (see Robert S. deRopp: The Master Game). Thus it must be the first aim of the sorcerer to make her willed order out of this chaotic condition, to create a Magnetic Centre, to create a “soul”, as it were. Though the Chaos approach is very useful, I practice no apotheosis of Chaos. But also, Chaos is not a condition that has to be overcome, but which must be controlled to an extent that enables the sorcerer to exercise her will upon the multiverse. However, Chaos is necessary and can never be controlled completely, which is not desirable anyway. Chaos and Order must maintain their inherent moment of tension. A universe which is fully controlled, from which Chaos is abolished, is dead. In a universe where order is absent, intentional action is impossible. That’s why the intelligent sorcerer looks – as in every area of her life – for a harmonious balance. Chaos and Order are two polarities from which existence, as we know it, emerges.

Left-Hand Path:

I personally see myself going beyond the Right-Hand Path & the Left-Hand Path divide, at least as its modern, neo-satanic version is concerned. However, as the idea of the LHP has been such an important philosophical thread on my magickal path, I want to discuss it here. Genesis P-Orridge once said something about “the Path of No Distinction”. This, of course, is a Tantric idea. And Tantra is a good starting point to bring clear light into such a confused darkness, because, at its heart, the concept of the LHP developed in the context of Tantra. We should look there first to find some answers. So, I hear you ask, what is Tantra? I have two good excerpts I want to quote that explain Tantra very clearly:

“Tantra is … an attempt to place kama, desire, in every sense of the word, in the service of liberation… not to sacrifice this world for liberation’s sake, but to reinstate it, in varying ways, within the perspective of salvation. This use of kama and of all aspects of this world to gain both worldly and supernatural enjoyments (bhukti) and powers (siddhis), and to obtain liberation in this life (jivanmukti), implies a particular attitude on the part of the Tantric adept toward cosmos, whereby he feels integrated within an all-embracing system of micro-macrocosmic correlations.” (“Tantrism”, Andre Padoux, in: Encyclopedia of Religion”, edited by Mircea Eliade, Macmillan, New York, 1986, Vol. 14, pp. 272 – 76.)

David White adds: “Tantra is an Asian body of beliefs and practices which, working from the principle that the universe we experience is nothing other than the concrete manifestation of the divine energy of the godhead that creates and maintains the universe, seeking to ritually appropriate and channel that energy, within the human microcosmos, in creative and emancipatory ways.” (David Gordon White (ed.) 2000: Tantra in Practice, Princeton University Press, p. 9)

So, for those of you who thought that Tantra is some kind of “sex religion” – sorry, this isn’t the case. In India the LHP-Tantrika uses unorthodox, transgressive means to achieve bhukti, siddhis and jivanmukti. She cuts her bindings from consensus reality and thus liberates the enlightened nature of her limitless consciousness. She transcends the limitations of the “socially constructed reality”, of the society and culture she lives in. By this she often works with behaviours, symbols, ideas and things that appear abominable to her identity and that are tabooed in her culture. Thus sex, death, drugs and madness become methods of transforming mundane consciousness into a state of enlightenment. Because everything is One, part of the same divine source whose nature is limitless consciousness, there is nothing to fear or to be rejected. Thus the Tantrika is freed from the delusion of separateness and embraces all existence, including her body and the material world. Because in India the left hand is used to do “unclean” things, this path to liberation has been called the Left-Hand Path. Nevertheless it is presumed by spiritual scholars that both paths, the Right-Hand Patt and the Left-Hand Path, lead to enlightenment. Not so in the Western conception of RHP and LHP in modern times. Here the basic idea is that every system of religion, mysticism and magic(k) that belongs to the RHP ultimately leads to dissolution, the Unio Mystica or the absorption of personal consciousness into godhood. Contrary to this popular conception the LHP magician initiates a process that is known as Self-Deification. Rather than dissolving into God (or Buddhahood) by confronting the abyss of existence/non-existence, the LHP magician tries to resist the urge to be absorbed and chooses to separate her psyche from the “objective” universe & to “create a self-aware, individual, enlightened, immortal and semi-divine entity” out of her “subjective” consciousness (see Ross G. H. Shott: The Dark Arts of Immortality). To my mind, this way of defining the spiritual journey (called Setianism, developed by Michael Aquino, founder of the Temple of Set) is short-sighted and rather an intellectual affair. I think the urge is rather stronger to be not absorbed and to maintain a kind of an ego. Please keep in mind that the whole discussion about separation (LHP) & annihilation (RHP) is a neo-satanic fantasy! Buddha once said something to the effect that what looks like annihilation to the outsider, is innermost bliss & enlightenment to the meditator. And this is the point: what modern Western LHP philosophy doesn’t seem to get is the mystical insight that it’s not just an either/or option of preservation or annihilation of self, but about the simultaneity of being self & nonself, the irrational moment of the Coincidentia Oppositorum – the paradox of Oneness. Fuck Hegel, when he mocks that the Coincidentia Oppositorum is“the night, when all cows are black”! Because this is the point, where the otherwise very useful tools of logic, rationality & the intellect collapse. Here language fails or becomes mystical poetry (thus not being an expression of logic anymore). So basically, my scepticism concerning these modern LHP conceptions comes from the fact that trying to preserve one’s ego is born out of fear and “denies thousands of years of meditative experience” (Sweyn Plowright). Eight seconds spent in Samadhi and such philosophical constructions would be burned in the inmost flame of uttermost ecstasy! The whole question of this appears so important to me, because the way one perceives the Sacred Self (or True Self) determines one’s interpretation of what happened with Odhinn at his Yggdrasil Ordeal, where he sacrificed himself to himSelf – expressed in his enigmatic words: sjálf sjálfum mér (myself to myself).

However, one can identify certain threads that can be found in both definitions of the LHP. First of all, there is the rejection of the common values of morality. The Left-Hand Path sorcerer deconditions herself from the cultural fiction she was brought up with – the cultural memes, as it were. Of course this doesn’t lead to an aversion of the values of one’s own culture. Because choosing to be anti-cultural would just mean to submit to a form of control and herd conditioning as well. The core idea here is to break inner taboos, to confront oneself with inner fears, disgusts, dislikes, repulsions etc. and to free oneself from self-imposed limitations of one’s identity (a form of Ego Magic in chaospeak; Ego Magic is about change, not about maintaining the ego like in neo-satanic philosophy). Thus a more authentic, flexible, fluid and free state of Self-consciousness can be reached. This procedure has been called antinomianism in the Western LHP tradition. This should lead to a rejection of dogmatism in general, which enables the sorcerer to question the “truths” of any magic(k)al ‘tradition’ and any route or map that pretends to show the entire path towards perfection. This leads to the second point of a genuine LHP sorcerer from my point of view: the developing of one’s own system of sorcery. (Don Webb in his witty book about the Setian path, Uncle Setnakt’s Essential Guide to the Left-Hand Path, stresses the point that one should first master a Traditional system of magick, before one attempts to create one’s own system. To my mind, this makes sense.) The sources for this process have been given to us by Austin Osman Spare and chaos magick writers. Further the LHP sorcerer doesn’t fall into the trap of denying their own ego, body and the material world. All of these are tools to power and fulfilment. LHP sorcerers don’t deny this world, they embrace it! LHP sorcerers realize that every individual has to follow her own path, her own unique explorations of what is possible for the body/mind/spirit trinity, without being dependent upon any person or system. Finally it must be add that sorcerers on the LHP are not interested in the “common good”, “God”, the “state” or any other abstract idea that submits the individual to some “higher purpose”. In the first place the LHP sorcerer strives for Self-Empowerment and her own enlightenment.

I think all those ideas describing a LHP sorcerer could also apply to a Chaos Heathen or be applied by a Chaos Heathen to her own ends, though, when I consider this thoroughly, what could be not applied by a Chaos Heathen? So, if one wants to preserve the idea of the LHP in Chaos Heathenism or apply it in that context, the best definition of the LHP to me would be that one does not follow anyone or any fixed routes to enlightenment, but rather that one follows one’s own path. The Chaotick Path makes more sense.

Magick & Wyrd:

Ceremonial Magic(k), also the one with Crowley’s ‘k’, has been associated for a very long time with so-called ‘High Magic’, which suggests that there’s some kind of ‘Lower Magic’. In the late 19th & early 20th century this meant that High Magic strives towards spiritual aims, whilst Lower Magic was orientated towards material results, basically sorcery of the rural population – folk magic (see Phil Hine: Condensed Chaos). The divisions between matter/spirit appear as utter nonsense in the face of modern neurology, or even neurotheology. This is one of the reasons why I came to reject Ceremonial Magic(k) & turned towards Chaos & Rune Magic(k). Such dualistic conceptions, like High & Low Magic, are rooted in Platonic Idealism, which were perpetuated by the monotheistic cults, from which they entered the ideological superstructure of modern occultism with its pretentious obscurantism and pompous, ego-blown ritualism. I wholeheartedly reject such short-sighted, body- and world-denying dualisms.

Magick, as Dave Lee has demonstrated in his wonderful & brilliant book Chaotopia!, includes three things:

1) making things happen to consensus reality (sorcery),

2) making things happen to one’s own consciousness according to will (self-transformation) and

3) experiencing higher states of consciousness, often leading to unitary consciousness (mysticism). In the first case (sorcery) we manifest results in Midgard or, to put it simply, in the material world. In the second case (self-transformation) we change the world of our subjective experience, which is the only way we can experience reality in the end anyway.

Self-Transformation (making things happen to consciousness) often leads to mysticism (see Dave Lee: Chaotopia!). This process (mystical experience) cannot be easily recognized by others as a result in Midgard, probably that’s why it has been excluded from chaos magick – a drawback Dave Lee corrects in Chaotopia!. In the final analysis, magick is a sublime art, and either the results of a working are ‘material’ in its plain sense or they remain – for the sceptic – subjective. The reason why I want to include “chaos-mystical”(Dave Lee) operations into the concept of magick (freed from its Low/High magic divide) has wide-ranging philosophical implications that stem from my vision of the world. This vision is holistic, animistic, & mystical – suspending the immanence/transcendence divide. Here the idea of Wyrd is very useful, which I sometimes refer to as The Net of Power. This multivalent term is reflected in Indo-European mythology of Indra’s Web and, most importantly, in Teutonic sorcery in the idea of Wyrd and the myth of the Three Norns. “Wyrd can be translated as ‘Coming Into Being’. Wyrd is imagined as a tapestry woven by the three Norns, called Urd, Verdandi and Skuld, representing an interconnected ‘fabric’ underlying all events that is manifest in every shape. Urd – still resonating in the German syllable Ur – suggests the primal or ancient and stands for the unseen influences underlying an event. It is the unmanifest potential, wherein all possibilities exist. Skuld means ‘should’ – that, what should happen if all progresses without interference” (see Sweyn Plowright: True Helm). But here we can see the wisdom of the Germanic peoples of old: Skuld is not a deterministic future, like the idea of fate in Christian conceptions of time, but is one that can be influenced, that is changeable and open to ‘chance’. “Verdandi is the process of ‘Coming Into Being’, that which is becoming or manifesting, the present moment, which we perceive as the manifest world” (Sweyn Plowright: True Helm). The sorcerer empowers herself by realizing that this vast Net of Power exists. Dr. Hyatt has described this concept in a non-Germanic context as “a web of gigantic sets of interwoven neocid-correlation matrices where one tiny push in the right place causes an entire field to collapse” (see Christopher Hyatt: The Psychopath’s Bible). We pull an entire system of symbolic signs and correspondences over this Net of Power(or we can say, the system emerges from the Net), which builds up our magickal “psychocosm” (Phil Hine). This enables us to manipulate the Net, or our Wyrd,according to our congruent Will. Thus chaos Heathen sorcerers empowerthemselves to make their innermost dreams, desires, visions and their quest for wisdom flesh. Hence the definition of magick has been often described as the pursuit of power.

References:

– CHAOTOPIA! – Sorcery and Ecstasy in the Fifth Aeon, Dave Lee

– THE MASTER GAME – Pathways to Higher Consciousness, Robert S. De Ropp

– TRUE HELM – A Practical Guide to Nothern Warriorship, Sweyn Plowright

– THE PSYCHOPATH’S BIBLE – For the Extreme Individual, Dr. Christopher Hyatt with Dr. Jack Willis

– THE DARK ARTS OF IMMORTALITY: Transformation through War, Sex, & Magic,
Ross G. H. Shott

CONDENSED CHAOS – An Introduction to Chaos Magic, Phil Hine

Edred Thorsson’s Radio Free Runa talks at: http://edred.net/community/

The band Fire + Ice, especially the albums: RUNA & BIRDKING

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Fearless Honesty

fearlesshonestyimage1Before all that necromantic chaos erupted I was using this blog to explore the notion of fear in my life. And I had concluded that in addition to my patron Woden I needed some other kind of help – for example, from Frey, the Worldly God.

I’ve been doing a bit of reading, and Frey is a fascinating character. The comments made here are mostly based in historical evidence though I’ve extrapolated from the sources in some cases (and resorted to blatant speculation in others).

In some sources he is presented as the chief god; and he is the ancestor of at least one royal dynasty. One of the Vanir, he rules over fertility, peace, growth, and organic strength.

Frey is also arguably a god of the sea, being the captain of Skidbladnir, a ship which he can fold up and put into his pocket. And his boar Gullinborsti draws his chariot freely over water and sky, as well as being a potent symbol of new life and fertility in his own right.

As a god therefore of the land, the sea and the sky Frey seems to rule over the three-fold order of the becoming of aletheia in Martin Heidegger’s philosophy; he seems to be the Lord of our fundamental embeddedness within and reverence for the world.

No wonder that the arch-heathens called him the Worldly God, for his domain seems to spread over all of being and throughout all out all the infinite relationships that thread being together.

fearlesshonestyimage2Frey is also an incredibly masculine, phallic god – towards all existence he turns his giant and unquenchable cock. His is an unfettered manifestation of eros – his way is that of immense and unending lust for life. Whatever comes before him excites his erection – his thirst for union with all of being can never be slaked. Truly he is a super-abundant god.

It takes incredibly courage and fertility to adopt such an attitude to life. To embrace all that life might bring us is no easy feat – Frey is quite the Nietzschean figure in his intense desire to affirm all that comes before him, no matter how painful, repugnant or rotten. Through his lust he beautifies even the most hideous and wretched. What unspeakable power flows through his veins!

Frey is a god of peace, though it seems he’s a powerful warrior when called for. For the most part, however, his way is that of frith – the fruitful and evolving bounty of right relations between humanity, gods, spirits and the natural cycles. He represents a different kind of masculine power to the cliché of the rigid warrior; his power is deeply peaceful, organic and rich, yet not in the least to be trifled with.

He is a cyclical, seasonal god, who dies but can never really be killed (At least until Ragnarok); who fades away and bursts forth once more with blazing laughter. Who both conquers and submits to the feminine in the world, forming an ecstatic and mutually pleasurable equilibrium with his various female counterparts.

Yet Frey is not just the god of this world. He is also master of Alfheim, which was given to him as a tooth-gift. As the lord of the elves it seems Frey is comfortable as the master of many domains and faces of reality. Here is a primal god of this-worldliness who is also a primal god of other-worldliness!

(As a side point, Frey’s very nature seems to violate the notion that heathen culture can be neatly divided into innangard and utangard, insiders and outsiders).

So with Frey it seems we have a god who can do it all. He is a lover and a fighter; a master of fertility, sexuality, and lust; a ruler of both this world and others. To his eyes, ears, tongue, skin and nose the world must seem endlessly loaded with riches, with abundant wealth even where our limited human perspective sees only misery or emptiness.

In reflecting on Frey I cannot help but ponder the question of whether it is not lust and sexual fire that binds the whole universe together. Nature has a determination and power that is truly awesome: one way or another, the sap always rises. Even in this modern ecological crisis – well perhaps humanity will wipe itself out, but nature will fight on and again flourish I am sure, no matter how dreadful the damage we inflict.

But perhaps we can dream into this metaphysics of sex still further – for what do the stars shine, dark matter sing, planets explode? Perhaps space is not a vast vacuum but rather aglow with the post-coital joy of the big bang.

Given the concertina theory of universal history it seems sooner or later that post-coital bliss will turn to foreplay, cosmic sex, and another big crunch and big bang, over and over. Perhaps this unimaginably vast cosmic orgy is all part and parcel of Frey’s incredible lust for life?

I have had at least one foot in Alfheim all my life, and struggled to be here in this world. I have been calling on Frey to teach me how to embrace this world and this life. Woven through this process has been the act of getting my first tattoos.

The tattoos are cryptographic bind runes. First I took the seed words. I used the aett/rune number coding system (see E. Thorsson’s Runelore) to determine a pattern of branches and then turned them into radial designs – one built on a Hagal shape, one modelled on a Helm of Awe.

The Hagal design spells out the word Honesty; the Helm of Awe design spells out Fearless. This formula – Fearless Honesty – has two aspects, inner and outer.

Within me they are an exhortation to be honest with myself, to take the time to listen to my own emotions and thoughts, my needs and desires. To hold myself with a little reserve so that I do not entirely lose myself in the world around me but retain my grasp on my own perspective and needs.

Beyond me they are an exhortation not to think I can or should hide away; that I can and should bring my whole being to bear on the world around me. That I do not need to compromise my being for the sake of the other person’s equilibrium or what I think they want.

These tattoos have become sentient it seems. Their voices rise up my arms into the back of my head and shove me forward when I am hesitant to be true to their meaning. Or if I slip into an old habitual pattern then I cannot avoid being aware of it, remembering it so that I know to change next time.

They’re harsh task masters, not at all gentle with me, but I need this militant attitude – it is good for me. Sometimes, paradoxically, being true to Fearless Honesty means admitting my fear, worry or uncertainty; sometimes it means not saying everything I could because that is the best way to be true to my internal compass.

Having these deeply personal symbols on my arms, clearly visible, really helps make objective my subjective desire and determination. And people notice them! Since I had them done any number of strangers have been drawn to me, curious, wanting to know what they mean.

Folk see immediately that they’re symbolic, and get very intrigued. It is good magic and gives me yet another opportunity to stand in the world, redeeming my inner and outer natures into the original inter-subjective wholeness of the world (the bridge over which perhaps Frey and Woden hold sway).

Using these bind rune tattoos as magical expressions of my desire has so far proved extremely fruitful; I feel deeply proud of them and in some respects feel more myself than I have in my entire life. It is even better that they’ve gone from being sigils to being conscious beings – I call that animism in action! I have a feeling that eventually I’ll be able to project them to work magic in the world; that’d sure be useful!

Oh, and I realise I’m becoming more attuned to other people too – to their attitudes, to the meaning of their words, to the things they are thinking but not saying but which they unwittingly betray in their non-verbal communication. I’m getting faster in my ability to analyse an understand exchanges where there is subtext and ambiguity.

Of course no tattoo can completely transform you, and I have to keep strong my commitment to these principles – just getting marks put into your skin doesn’t take away the effort that transformation always involves. But that said, in some ways I can now never go back.

Fearless and Honesty have become doors and conduits for this desire of mine to fuse Woden and Frey in my being. Bring it on!

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Rogue Runa

I am drinking a cup of tea with an Othala rune printed prominently upon it. The cup wasn’t designed by some neo-Heathen runic enthusiast; indeed, the text on the cup reads “Staff & Executive Resources”. Am I surprised? Not in the slightest. Ever since my first real initiatory experience I’ve tended to see runes everywhere. Often they seem to bear significance, though I can’t always puzzle this out.

For example, I once lived in a three storey terrace in the inner west of Sydney. In the middle of the middle floor was situated the bathroom. The bathroom tiles were decorated with a motif that featured hundred of Othala runes.

It occurred to me that, insofar as Othala might possibly be considered a symbol of Midgard, it was no accident that the room with these runes would be right in the heart and centre of the dwelling. I know, that’s a little trivial, but on the other hand, someone’s aesthetic decision was unconsciously shaped by a runic instinct, and that seems less trivial.

I wanted to document some other examples of this sort of thing. These things make me smile, because there the runes are, right where they belong, sneaking through the collective unconscious without the slightest hesitation. We are more connected to the arch-Heathens than we tend to think, floating on a deep and wild ocean of history and symbolism.

To me Dagaz represents liminality – that’s my personal take on the rune of course, but consider this little poem I wrote a while back:

Dagaz [Day] is sunlight
Dappled on yew-leaves;
The hidden revealed
Cleared through and through
seen and not seen.

I often notice that over windows people erect metal grilles in the shape of Dagaz runes. Or on doors and gates. Speaking of the latter, you get many Ingwaz runes on security gates, doors, entry alcoves, and the like. Ingwaz to me has a resonance of protective enclosure that seems to correspond nicely to this sort of co-incidence. Wire mesh fences also often are composed out of thousands of little Ingwaz shapes, too.

One example of rogue runa I often encounter is the hail form Hagalaz. It crops up on air conditioner grilles, on the covers of drains and drainage grates, and seems to appear any time there is an opening designed to let some things through but stop other things. As though it were some kind of purification device – well that’s my best guess.

I guess if hail destroys the inessential, then what is left is distilled and allowed to pass through. But this is one runic correspondence that I can’t yet fully explain to my own satisfaction.

And sometimes in elevators I see Eihwaz runes – my sense is that, just as sap flows up and down the yew tree’s trunk the elevator carries us up and down the column of the building.

So while some authors have made much of the use of rune-like shapes in old school European buildings, few have noticed that these symbols still seem to pop up with monotonous regularity and thematic coherence.

Admittedly the more self-consciously modern architecture is less likely to have these sorts of little features. Then again, modern design seems often to be divorced of any archetypal or psychically resonant content. It is pure disembodied ego in character and offers little or no shelter for mystery. The utilitarian aesthetic strips buildings of their homeliness and ironically causes them to serve their utility less well.

It doesn’t happen as much these days as it used to, but I often see rune shaped objects as I wander about the place. Sometimes scratches in the pavement or walls, sometimes in the way twigs fall from trees. Graffiti artists often unintentionally leave runic inscriptions on train barriers and tunnels. The world around me seems to pulse with runic manifestations.

Jan Fries argues that to understand the runes you need to go back to the Palaeolithic, look at the very origin of the urge to scratch symbols into stone or bone. I think he is onto something, and think that the various modern examples I’ve given here also attest to his views.

While my specific interest might be the Elder Futhark, it remains that all the Futharks grew out of a more primordial human need and practice, and we are well served to ponder the ways in which these symbols are able to well up out of the imaginations of folk who do not know anything about them consciously.

I find myself pondering whether this year I should be exploring the art of rune magic and runic inscriptions more thoroughly. Since I want to develop a really strong results magic practice, and since runes are well suited as the carriers of intention in such magic, I really ought to combine the two.

Here is a prototypical bit of magic I did last year to illustrate. We were living in a ground floor unit and new neighbours moved in upstairs. This new family had three young boys who really needed a big back yard, not to be cooped up in a little balcony. And they were pretty damn badly behaved. Soon they were dropping their rubbish in our garden in fact!

This couldn’t go on. After a few neighbourly confrontations the most flagrant misbehaviour stopped, but the people upstairs were nevertheless oppressively noisy. The family as a whole seemed riddled with conflict and a lot of sniping and backstabbing. Lovely people. And every nasty word was audible downstairs. Things got pretty intolerable.

I cast two spells to deal with the situation. The first was to make a Raidho rune out of plasticine and then place it facing up at them on the top of a cupboard. The message was move on.

The second, to control the excesses of the worst child, was to draw an image of a giant wolf eating a child. In runes I wrote “I have you now”. I then attached this to the clothes line, facing up towards the obnoxious peoples’ unit.

Results? Well the child in question suddenly pulled into line very nicely. And not long after I installed the Raidho rune the people upstairs moved out – in fact, they weren’t there very long and definitely broke the terms of their lease which in New South Wales had to be for at least six months.

I don’t know what happened, but given all the arguing going on I guess they realised that they would never be able to have stability in a small unit and moved to digs that would better accommodate them and give much-needed relief to everyone. Mission accomplished.

It took a month or two for these sigils to reach their fruition. Even if they had nothing to do with the changes that occurred, I sure felt a lot better about the situation. Doing that magic returned to me my sense of control over a frustrating situation. Psychologically speaking I think that is a very important aspect of any kind of magic or ritual and not something to be overlooked.

But I like to take credit for them moving because I specifically enchanted for them to break their lease – and they well and truly did. Call me crazy – I know I do. I had a lot of emotion behind these spells, since these people were so damn annoying. I bet that helped things along too.

So there you have it – Rogue Runa, stalking through the modern world by accident or intention. Some time soon I will have to document one of my better experiments, a runic formula for money that has made me perhaps $3,000 in my own deluded thinking – the dreaded and fearfully uttered TRIPY COMES. What ever you do, DON’T think about that phrase bringing you plentiful wealth. And don’t think about it doing that for me either. Got it?

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Reading the Runes

readingtherunesimage1It seemed inevitable that I would put up a post here on doing rune readings. It’s such a stock piece of Heathen subject matter, but I feel that my approach is sufficiently odd to be worth documenting.

The way I do rune readings is significantly influenced by the work of a good friend and professional reader, Kerstin Fehn – even though our styles are actually very different.

Incidentally, Kerstin does “remote” readings as well as in-person, so wherever in the world you are you can take advantage of her services and I strongly recommend that you do.

I can heartily say that she is the absolute master of this stuff, and certainly is far beyond anything I can do as a reader. Her vision and insight is deeply inspiring – and deeply scary at times because she gets right to the heart of things.

Ok, having said that, what is so particular about my approach to rune readings? Well the answer is simple: unlike Kerstin, I am about as psychic as a brick. That makes doing rune readings rather tricky and I’ve had to evolve my own method of doing them because insights and intuitions seem to love avoiding me.

As such my approach might be useful for those of you who, like me, don’t get any message at all from staring at a few arcane characters scratched onto bone or wood.

There are two basic elements to my approach as a rune reader: 1) I work in a client-centred way; and 2) I rely heavily on the rune poems and other lore.

What do I mean by client-centred? In psychotherapy the client-centred approach assumes that human beings are filled with potential and creativity; therefore the therapist’s job is to assist them in accessing their own powers to solve their problems.

This philosophy stands in contrast to the unfortunately still-prevalent model of being the “all-knowing expert” telling the client what to do (and in the process stripping them of their own creativity, initiative and agency, as well not efficiently drawing on the resources the client already has at their disposal).

In my work as a psychotherapist I have learned again and again that this philosophy is true, although sometimes it takes a bit of proactivity on the therapist’s part to help create a fertile environment for the client’s resources to manifest themselves.

Therefore when I do a reading I am trying to use the runes to help my client access their own channel to wisdom. I keep my ideas and interpretations in check and try very hard to fit in with the client’s own ways of understanding things. I want to keep out of the way so that they can have as direct an experience of the runes as possible.

When I do a reading I first give the client my runes in the bag. I invite them to let their thoughts and feelings flow into the runes while we discuss the topic of the reading. I will spend up to 15 minutes just talking about the topic, teasing out important themes and trying to get a sense of what the client’s concerns are.

Some readers can just psychically pick all that up, but I can’t, so I have to talk it out. Luckily talking it out can really help the client refine their question(s), and help them clarify what they think they know, what they need to know, and what they actually need to find out.

My approach to this discussion is to ask many questions, be as curious as possible, and occasionally pause to reflect or sum up what has been said so that we can keep a clear sense of the themes at stake.

I make no bones that my training as a therapist influences this part of the reading, although I was doing this sort of thing before I became a therapist, so there you go!

The other reason behind starting things this way is that it emphasises the collaborative nature of the reading. I want my client to take an active role in the reading, rather than be passive and disempowered as I, the runic pundit, tell them how it is.

By starting with a conversation like this I can establish for the client an experience of how they can get the most from their reading. Hopefully the experience will also help them become more confident with magic and runes (if they aren’t already) so that they can develop their own magical and spiritual practices further.

Once we have established very strongly what the reading is to be about, I invite the client to throw the runes – all of them. I don’t use preset lay outs or other such innovations, I prefer to let total chaos (or wyrd) reign. So down go the runes, scattered wildly on the table or ground.

Some of the runes will land face up and some face down. Sometimes I only read the ones face up; sometimes I read the face up ones first, then flip the face down runes and flesh out the story; sometimes I flip them all face up and go from there.

I’ve never tried this, but you could also flip the face up ones down and vice versa and do the reading that way!

For me there are two main considerations in reading the whole lot of runes at once. Firstly, you need to look at how they are positioned relative to one another because that gives you an idea of how the themes intersect. I don’t really bother with the whole bright/murk rune dichotomy, I find it gets in the way, and the historical basis for it is pretty sketchy anyway.

Secondly you need to look for nodal points – or the lack thereof. Sometimes the runes will fall in one or more clumps and you can pick out a “key note” rune, with your knowledge of the question informing that judgment too. Or else it might be there is no focal point, everything is scattered, and this is useful information too.

I pay careful attention to my client’s initial comments at this point because where they feel drawn is probably where the reading needs to go. They might be especially curious about one or other stave, or if they are conversant with the runes then they might be drawn to a rune that they already have an affinity for.

I also try to draw in a sense of the whole pattern, the shape of how the runes have fallen. It’s hard to explain how I do this – it’s as close to “psychic” as I get, although there’s no secret or magic to it.

In a way it is just assigning arbitrary significance to the way the runes fall – keeping in mind that I might have to revise my initial impression as more information, and the client’s feedback, comes to light. You just have to be willing to get it wrong and take a punt – often I find that it works out anyway.

We are also both guided by a sense of the themes that emerged from our initial conversation about the reading.  Sometimes a rune will jump out straight away as obvious.

If a person’s central concern were creative expression or performance, for example, then I might find myself naturally attending to a conspicuously placed Ansuz rune as “the chieftain of all speech”.

Once we have a sense of where in the shape of the runes to start, I will usually draw on my knowledge of the rune  poems. Those little poems are very ambiguous. They touch lots of psychological connection points with their symbolism, and the metaphor can be opened up in any number of different ways.

So once I have a sense of where to start I will usually tell a short story about the rune in question, often inspired by a relevant rune poem; and I will tell it with a slant or emphasis that hopefully binds it to the subject of the reading in some way. I won’t necessarily even say “this rune means X”. Indirect methods are just fine.

Then I shut the hell up.

By this point most clients are gagging at the bit to start talking. This is partly because metaphor is a great tool. The reason is that metaphor is ambiguous, so people find whatever it was they needed to find within it.

Sometimes I might tell a story or anecdote not directly related to the rune poem but thematically linked. It might even be abridged from or inspired by myth, or it might be some other proverb or helpful saying I’ve picked up along the way.

I can’t know what this person before me needs to hear, but their unconscious does and it can find it in the metaphor the runes inspire. You don’t even have to believe there is anything more than random chance in how the runes fall for this to work – my method of rune reading works equally well in materialist and mystical worldviews.

Once we are off and running I don’t need to say much. The client will usually draw their own connections and significances – and because we’ve already discussed the question at the start of the reading the field has already been turned, as it were, and is ready for seeds.

I am free to toss in additional reflections about how other runes in the spread relate to the issue, particularly if we hit an impasse or if the initial metaphor misses the mark. There might be a bit of experimentation to find the right starting point, and sometimes several rune stories are needed in combination to get the right starting place.

People often make all kinds of connections as we work through the reading. It can have that feeling of seeing things suddenly as though they were obvious, even though before the reading they might have been very opaque or obscured.

I try to let the client’s unconscious and conscious minds lead the way and play the role of support crew rather than mystic authority figure. I will give my opinion if asked or if it seems very relevant of course – but generally I find that with runic inspiration most clients come up with better ideas than I would have anyway.

An incidental bonus of this way of doing rune readings is that it builds the rune poems into the practice. This is important because it binds a historical root to the practice. I believe that this way of working serves to demonstrate the power of grounding oneself in the historical lore – when set to work, those poems really open up new horizons.

We therefore don’t have to be stuck in worlds of academic abstraction in order to incorporate the lore into our work. Nor do we need to be locked in a “you can’t do that” mentality as some “lore hogs” are.

I don’t know how the rune poems were originally used (I don’t think anyone does), but the way I use them works very nicely, and serves well as a fusion of ancient and modern.

This way of drawing on the rune poems also serves to undermine the ‘anything-goes’ mentality of rune authors like Blum and his ilk, who just make it up as they go.

I believe that my method, which builds respect for historical lore into its foundation, produces deeper and more helpful readings than the wild speculation that Blum’s approach (and others like him) seems to encourage.

Coming out of the reading I work hard to ensure that the client has a feel for what sorts of future action might be called for. Often readings of whatever persuasion don’t do this – if anything they can sap our sense of personal agency and initiative because we start to look at the patterns as inevitable and out of our hands.

But I prefer to use them as tools for empowering the client – if, of course, that is appropriate to the topic of the reading and their own agenda of what counts as helpful.

My readings don’t elucidate much about the future, but they do help elucidate new connections and understandings about the past and present, and to me that is possibly even more valuable. They can also help give ideas for what future action or concerns might be in the wings of wyrd’s stage.

So there you have it! Minimal psychic ability is required to do competent readings if you 1) respect the powers of your client; 2) know your runic and historical lore.

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